Osculator license2/19/2023 ![]() ![]() You set the name of the file in the top line of the script. oscd) to be in the same folder as the workspace. This script expects the Osculator file (ext. Heres our fader being controlled by pitch bend: Luckily the MIDI pitch bend controller is a 14 bit controller which allows14^2 or 16,384 values which gives a resolution over 100 times greater, This would mean the image jumped 15 pixels for every 1 unit change in the MIDI cc value. Using a 7 bit MIDI controller we are restricted to 128 values, 0-127, (7^2). Most had only 31 steps.Ĭonsider, if you were using OSC to control a video server and were sending an address to pan an image across a 1920 pixel wide projector. Many high-quality recording consoles of the 1960s had sets of resistors, operated by quadrant faders, rather than continuous fader tracks. For faders, this may not matter too much. If you look at the video again you will see that representing the entire fader movement from -60 to +12 as a MIDI cc range (0-127) gives a slightly steppy response, as there are only 127 possible fader positions represented. Lock the routing (cmd-L, or from the Routing Menu) and save the OSCULATOR document. Select the scalings page from the View menu (or press cmd-f, or click the curl icon next to the Chan. The final step is to map the values from QLab’s MIDI cc message (0-127), to that required as the argument in our OSC message, to control the fader, in our example -60 to +12. We then close that pane and select this routing in the Value column of the main Osculator window. We enter the address as we want it to be rewritten in the Rewrite address field. Which means the fader1 on page 1 of the Touch OSC controller, which is representing our mixing console.ĭouble-clicking in the Routes table brings up the OSC routing editor: In our example ch1 fader has the address: We now want to rewrite the address to the OSC address used by the faders on our mixing console. As it stands this would now route the OSC message (/midi/cc50/1) in the main window to the default target (same address) You will see that this is checked in the second column as the default and that the default routing is now in the Routes table. (If there is a value already there clear it by selecting clear from the small gear menu next to it.) If the OSC service you want is not listed you can manually enter it’s IP address and port number by double-clicking in the OSC URL column. In our case, this is Touch OSC running on an iPad In Event type select OSC message, In value select New…Ĭlick the small gear icon in Target 1 and select the OSC server you want to send the OSC messages to. We now need to translate this address to the OSC address we need to drive our fader. Quite magically, Osculator immediately translates any MIDI message it receives, on an Active MIDI input, to an OSC address, and puts it in the main window. Make IAC Bus 1 (or whichever bus you are using) active. ![]() Open Osculator, create a new document, click the Parameters gearwheel and select I/O. ![]() Select a Channel, MIDI controller number and starting Control Value (0-127)Ĭheck ‘fade over duration’, set the duration of the fade, set the end value (0-127) and adjust the curve shape if required. WN.Set MIDI Destination to an internal MIDI bus to send to OSCULATOR. MIDI) Ableton Live AudioDamage BigSeq http Technical WN.com - Articles related to Panasonic to Demonstrate Full HD 3D TV and Range of Advanced Cable Technologies at 2010 Cable Show net OSCulator (for converting OSC to MIDI) Ableton Live AudioDamage BigSeq http Technical Information: Screen recording was done with iShowU HD. Cupid darted away with the box, striding down the " osculator" as it came rolling up, a feat forbidden.įor more music in this vein, check out chromedecay: Links TouchOSC hexler. ![]()
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